I've been trying to find a home for my parents' crucifix. My mother'd told me it was given to her by her great aunt and uncle as a wedding gift. I have no one to tell this to who will remember — this knowledge will die with me — and that makes me unbearably sad. This crucifix is a clever thing, intended to be used to play priest when one can't be found. The face slides off and Jesus in his dying ecstasy props up in a groove at the head of the cross-box to watch over the faithful. A small booket containing instructions for the sacrament of the sick and last rites is curled around an empty bottle labeled
HOLY V WATER |
My brothers leave me as my mother lay — finally — dying. Seems as if she might not have needed the pacemaker after all. The doctor'd waved his magic magnet over the bulge near her clavicle more than 24 hours earlier. I don't let them disconnect the cardiac leads so that I can “prepare myself.” Eight months, countless hospital stays, and two last rites (she'd declined a third and final last rite) weren't enough I suppose. I'm guessing it wasn't until she sensed that her cousin Patsy who'd been like a sister to her was close by that her heartbeat — finally — slowed. Her heart stopped within twenty minutes. I still cringe when I recall that the door'd been wide open and how my primal scream must have echoed through the halls as my own heart was ripped from my chest.
Later when I tell Patsy that my mom had been waiting to say goodbye to her before she died, how could I know Patsy would pray every night for two years for my mother's forgiveness for killing her?
I ask my friend to come to the hospital that is trying to kill my mother. I refuse to leave when visiting hours are over. It's been a week. My mother asks me to lay in bed with her to warm her. She has never done this. I try to say the rosary, but I never learned all of the fancy stuff you say in between the Hail Marys and the Our Fathers. I never was an adequate Catholic. When my friend arrives, I am relieved to give rosary duty over to her and I leave to wander the halls and let my tears out.
My friend tells me “Jesus Lives.” He's in her underwear drawer. At almost three feet long, he's not exactly modest. I look away but look back when she prompts me. “Look! Grandma Busia's belt. I made fun of my mom when she couldn't bear to throw it away yet here it is.” I tell her I could make something of it.
My friend shows me a MoMa repro reliquary (yet another goldtone Jesus). It's been gathering doghair and eyeshadow in the bottom of her jewelry box for at least a decade. She asks me if I might make something of it. I tell her yes, yes I could. Her father cries when he sees his long-dead sister's souvenir on a beaded chain draped around his daughter's neck.
Every time I unpack a box, it seems I find a rosary. I haven't been Catholic for almost 35 years. If Aunt Mickey gave each of us kids a rosary every Christmas until we were ten, there've got to be at least thirty rosaries squirreled away around here. My favorites were glow-in-the-dark. When my colleague is diagnosed with cancer, I gift one as a good luck talisman. I find out later that it is likely radioactive.
Madonna — with her twin scars — has awoken from her closet coma. My friend has cleaned her, dressed her in a new goldtone frame, given her due reverence — surrounded her with votive candles, loved her and prayed to her daily. This makes me unspeakably happy.
I've rearranged some paragraphs last minute, but I have to jet off to another meeting. Sorry I've been absent!
ReplyDeletethanks for sending this Leslie. Can't wait to dig into it!
ReplyDeleteHI Leslie (we broke the rules and saw each other in person last night!)…can you send this to me as a word doc? Will the cool graphic stay the same? Thanks!
ReplyDeleteOh! Are there rules against that? ;) Yes, I'll send it to everyone as a Word doc this evening. The "graphic" is actually a wingding, so it should be just fine.
ReplyDeleteI enjoyed this piece but, not being catholic, am not familiar with rosaries, crucifixes, reliquaries, etc. and wanted more imagery and detail so that I could see what these look like--their size, shape, color etc. Was there an image on the reliquary that makes the friend's father cry? Is is a medallion? What do the rosary beads feel like between the fingers? The Madonna who opens and closes the piece--is it a painting, a print, an icon? What are the "twin scars?" Would it be possible to include a photo of it?
ReplyDeleteI liked the contrast between the "unbearably sad" at the beginning and the "unspeakably happy" at the end. I was moved by the speaker's sadness that the detail about where the Madonna came from would die with her. The line about the mother asking the speaker to get in bed with her to warm her was powerful.It's hard to write about a parent's death in a way that feels new; focusing the catholic props and using them as the framework is effective and I'd expand it--talk more about these things so that we can picture them. Maybe do some research and place them in some kind of historical context--lots of interesting stuff out there about relics, icons, etc. That detail about getting a rosary every year was interesting--more about that. What did the speaker do with the ones she received?
The paragraph about the friend's Jesus in the drawer confused me b/c I could not picture it. Was it a figurine, a three-foot figurine? What was "Grandma Busia's belt?" What did the speaker make out of it?
I really loved the graphic--it somehow captured the exact combination of cheesiness and sincerity that let me see more vividly the little crucifix kit described in the next paragraph--would like to see other graphics like this in the piece.
One thing that fascinated me is the conflict I sense in the speaker's attitudes towards the catholic props. One the one hand, she is a self-confessed lapsed catholic who never mastered the words of the rosary, a rejection of the church reflected in the somewhat derisory tone of the title, "Jesus Lives." On the other hand, she rescues the Madonna from closet oblivion and makes a shrine to her, and she treasures the relics for the connections they invoke to her mother. I'd like more exploration of this, the idea that religious relics can acquire another kind of sacredness by virtue of how they've been handled and loved by people we love.
Lots of great material here; bottom line is I want to hear more.
Dear Leslie,
ReplyDeleteI really like this. It’s beautiful! I love the idea of relics of relics…if that makes any sense? How you keep finding crucifixes. The only suggestion is to maybe make clearer divisions between sections? And/or move the paragraph about having not been Catholicfor 35 years to the front. This will help give some context. I’d also like to be more clear what the different icons you find are. ( I agree with Becky on this, not being a Catholic) Is the black Madonna the same as Our Lady of Czestochowa? Also, I get a little confused about how you make/rework these found items. Can you say a little more about your artwork and jewelery making? Again I love the idea of resurrecting icons which tell you both something about your past and the loved ones who owned them and also your own journey of faith/spirituality. I think this could be a bit longer, also, if you want to expand it. I love the graphic. Some ideas for expanding include perhaps more graphics (are you saying something about how the icons ARE representations of saints/ holy beings and how they ARE these beings themselves the way that the wafer is the body of Christ? I love the idea of lapsed religion of any kind, especially related to a parent…and echo Becky in that I'd like to see this duality -- I reject this tradition, yet when things are bad, I try to remember and the frustration of not remembering all of it, etc. Like Becky I'd love to "see" the icons and rosaries in more detail. One great essay, if you can find it (I will also look) is "Thread" by Stuart Dybek. It's about being a kid and being Catholic and fasting. Dybek is chewing on his altar robe and accidentally swallows a thread. Then he panics that he's broken his fast. It's beautiful and moving. I think this essay has a lot of potential, Leslie!
Thanks for sharing! best, Sarah
HI Leslie,
ReplyDeleteThanks for sharing this! I agree with Rebecca and Sarah on most points, but perhaps, having been raised Catholic (and having drifted far away from all but the ritual--and comforting--rites of birth and death) I do recognize very clearly not only the figures, but the feelings associated with trying to return to the solace of an almost mechanical ritual, like saying a rosary, as well as the frustration at having actually forgotten something that you actually put some effort into letting go of--it's a crazy, confusing feeling.
I think the essay really picks up speed at the end, with the rosaries everywhere, and the glow in the dark ones--oh man, do i remember those (are you a catholic school kid? me too…) and the madonna at the end. there's also a thread near the beginning that I can't stop thinking about-- the part where you relay the story of your mother and father's wedding crucifix, and how that story could end with you. That feels like a thematic thread to me, too. Something about relics, something about family, something about endings. Something about forgetting despite every attempt to remember--almost the opposite of what happens to the speaker with her faith and ritual practices.
Lovely work-- sorry for late comments. Thank you for sharing! --Loryn
Thank you friends. It's very interesting that everyone seemed to pick up that I couldn't remember but wanted to or turned to the rites of my childhood to comfort me in times of difficulty. That actually is far from the truth! My main concern is honoring the intent of the relics. I have affection for them only inasmuch as they inspire memories of home and family. This may be the one I move forward with first. Thank you!
ReplyDeleteI've got two major projects at work coming to fruition at this time, so I'm not writing as much as I feel I need or want to. :(
Leslie,
ReplyDeleteI liked this piece alot, but had to go through it a couple of times because it is quite dense (that's not a bad thing). I didn't like the --- finally---- twice in the same paragraph, it was too loud. I also got confused with the "Jesus Lives" section. I thought your opening paragraph was spectacular with the mixture of myth and purpose. Pieces like this are wonderful to me. I am enthralled by the exploration of the part we allow myth to play and the part we want it to play. The push and pull of religion either in our own lives or in the lives of those closest to us create ripples that are too often left unexplored. This is a great treatment of that. I hope you have found some space to breathe in your day job. I know the stresses well.
-AP